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RISE TO ADDICTION: A New Shade Of Black For The Soul |
| Cover |
Release |
Style |
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2007-05-18 | groove-laden grunge metal |
| Label | ||
| www.mausoleum-records.com / www.totalconceptmanagement.com | ||
| Website | ||
| www.risetoaddiction.com | ||
| Contact | ||
| - | ||
| Playing Time | Cat. N° | |
| 59:49 | 251092 | |
| Review by / Translated by | Rating | |
| Vera | 8,5/10 | |
| nederlands | Review | |
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Rise
To Addiction drew my attention for the first time when they recently
opened for Trouble during the European tour of these infamous
Chicago doomsters. Founder members appear to be guitarists Steve
Wray and John Slater. They have a common past in Blaze, the band of
Blaze Bayley who once replaced Bruce Dickinson in Iron Maiden for a
few years with precarious success. In 2004 both six-stringers
decided to form their own band and when they recruited Leigh Oates
as vocalist, they also got the rhythm section of his former band
Ninedenine. Rise To Addiction was ready to rehearse and write songs.
After a well-received EP with three songs, they started working on a
first full-length album. ‘A New Shade Of Black For The Soul’ was
provided – just like the EP – with a sure-fire sound by the renowned
producer Andy Sneap. Rise To Addiction stands with one foot in the past (the bestial rock feel of the eighties and nineties), but they know rattling well that you have to relish this legacy of the past with modern flavours. That’s why this is not a flaw copy of earlier sounds, but steamy rock ‘n’ roll that verges to grunge in some of the songs (‘Cold Season’ and the mid-paced ‘Low’ with magnificent, soaring guitar solo), but sometimes they cut loose. With two skilful guitarists in the band we hear a lashing of eminent, wild guitar runs/soloing on the album of course. Blues elements pop up in ‘One Sweet Minute’, which has some less exciting moments as well. I really love the band when they go wild in thrash-like riffing, Metallica influences are obvious then, in the way of singing as well. Leigh Oates uses his voice in a versatile way and in ‘Moth To A Flames’ and ‘One Sweet Minute’ there are lots of effects on his voice. That the band has a huge respect for the past, is shown again in the amazing ‘Fessonia’, a sensitive ballad with a very dark edge (just call it doom!) for which Mike Garson wrote and recorded the piano outro and he once worked on ‘Aladdin Sane’ of David Bowie. The two longer tracks that occlude the album showcase the experimental side of Rise To Addiction and they make us suspect that we are only at the beginning of more albums to come with guitar-driven solid rock that will appeal to a broad audience. |
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Musicians |
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Leigh Oates: vocals |
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| Tracklist | ||
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A New Shade (0:44) |
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| Discography | ||
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Last updated:
18/06/2007 . |